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beautifully human: words and sounds, vol. 2 - album reviews
Four long years after the issue of Who Is Jill Scott?: Words and Sounds, Vol. 1, the woman returns. Scott has retained a good portion of her team from her debut, like Steve McKeever and co-executive producer Jazzy Jeff Townes. Larry Gold is still in charge of the elegant string arrangements, Andre Harris and Vidal Davis are still here in the rhythm section, and there are others. But there are some top-flight guests here as well, including the great jazz trumpeter Nicholas Payton, Raphael Saadiq, and songwriter and pianist Peter Kuzma, just to name a few. Musically, Scott strolls and swaggers joyously in the no man's land between soul, funk, jazz, and, of course, those swinging hip-hop beats. The spoken word interludes that were so prescient on her debut are all but absent here; Beautifully Human is a singer's record. And what a singer! Scott cites Minnie Riperton once more in her thank-yous. One can feel the presence of that influence here, gracing the shimmering grooves in "My Petition" and "Spring Summer Feeling." But lest the listener think this is all sweetness and light, one must remember the artist's considerable lyrical flair that goes for the grain of the matter, whether that be in the heart, the heavens, or the pit of love's belly. The latter track -- with all of its beautiful strings and acoustic guitars floating, hovering, and gently rolling under the singer's voice -- is punctured by crooned lines like "...it takes more than diamonds/To get me wet." On the laid-back hip-hop manifesto of "I'm Not Afraid," Scott poetically (what else?) lays out not only her sexuality but her spirit, one informing the other, speaking of herself as a free individual who is a willing partner in union in eros, spirit, and everyday life. When it gets to the handclapped silvery funk of "Golden," Scott offers another manifesto, one of accepting life on its own terms and making it hers. She once again evokes the paradoxes in relationships, where -- despite her autonomy -- she needs her partner, not for anything but love. The slippery-slope 4/4 backbeat and winding acoustic guitars flow around the singer as she lets her sweet honeyed voice seep into her lyric. Likewise, the jazz piano and loop of "Cross My Mind" show another side of that same equation as the singer alternately speaks and sings her desire. "Bedda at Home" is the steamy midnight queen funk-soul cut. It's not only in the pocket; its groove is infectious. The sound-effected Motown-kissed soul/hip-hop weave of "Family Reunion" is bittersweet, full of wisdom and rough tenderness. Ultimately, Beautifully Human is an even stronger recording than its predecessor. It's seamless in its construction, unlittered in its production, honestly and elegantly articulated in its poetic soul, and utterly intoxicating in its groove consciousness. ~ Thom Jurek, All Music Guide
So Sexual Lyrics
Artist(Band):Babyface
So Sexual Lyrics
written by Mark 'Sisqo' Andrews, Nathan 'N8' Walton, Kiehl Owens, Tavia 'Joker' Ivey, Babyface (1999)
performed by Sisqo
It's giving me a chill
Every time I think
About the love we make
It makes my heart sink
Deep into my soul
Everywhere I go
I'm always thinking of
When we make love
Wanna go back to the day
When I touched you girl in every way
Gotta take the change to hear you say
That you want me girl
Girl you know you rocked my world
'Cause
I can't eat, can't sleep
You know that it's unnatural
What you do to me
You know that it's so sexual
What's come over me
Never thought that love could be so addicting
The feeling hurt so bad
It makes my body weak
I can taste you even when you're not with me
Look what you've done to me
Wanna go back to the day
When I touched you girl in every way
Gotta take the change to hear you say
That you want me girl
Girl you know you rocked my world
HOOK
You are the only girl I
I wanna share my world
You're where I wanna be
Everything I, I need
HOOK
NOT
